![]() I think we brought 25 cameras of different kinds. This cave is several kilometers long, and we had to spread out and light this cave from all different angles. How did you light such an enormous space?įirst, we got some fantastic strong lights from a small manufacturer from the Netherlands-the most powerful portable LED lights I've ever seen.Īnd then three of my team were just running around the caves with these lights. We have to make sure we light all around us for when we shoot. But for 360° views, you have to light in 360°. For still photography or videography, you have to light in one direction. In what way?įirst of all, the lighting-you have to light up a completely dark cave. It was very difficult, logistically, to plan. How is this cave project different from your other projects?Įverything was huge and majestic. So we have a digital copy of the cave in case it's destroyed. We have a small archive that shows the cave as it was when we were there in January 2015. You can get the reader into the story and get them to explore it actively. I work with interactive journalism because the end user gets a much more immersive experience-it's possible to get people to walk through the cave as if they were there. Why did you decide to do an interactive experience rather than just take photographs or shoot video footage? We have to make sure the cave is preserved as much as possible. But it can't be done in a way where we suddenly go from zero visitors to a hundred thousand a year. That would help local communities because they will get more tourism business, which is important. Of course we should make it easier for people to go see it. But that doesn't mean we have to do it irresponsibly. We want scientists to be able to study it, and we want people to go enjoy it. But of course, that doesn't do any good either. The best thing for this cave would probably have been to not be discovered. Are you afraid that publicity will drive those plans forward? You've expressed reservations about inserting a cable car and other features for tourism in the cave. ![]() Some of the largest passageways are about 300 feet (91.4 meters) wide and over 600 feet (182.9 meters) high.Įdström, whose work has been supported by the National Geographic Society's Global Exploration Fund, discusses the challenges of taking on such an enormous subject for his photography. So he set out with a team in January 2015 to build a virtual tour of this roughly 2.5-mile-long (four kilometers) cave.ĭigital "tourists" can mouse through 360° panoramic views of key sections of Son Doong on a smartphone, tablet, or desktop computer (see above). He also wanted to document Son Doong in its relatively untouched state, just in case those construction plans go through. Photojournalist Martin Edström hopes to bring the cave to as many people as possible. But the attention of curious sightseers is a double-edged sword planned construction projects to make the cave more accessible to tourists could harm the formation's unique environment. Pictures have offered stunning peeks into the cave, which is located in central Vietnam's Phong Nha-Ke Bang National Park, since explorers discovered it in 2009 with the help of a local guide. Its mammoth chambers extend so far that explorers have called Son Doong an "infinite cave." And with an amazing new digital tour, you can plunge below ground to see it yourself without ever leaving the country. Son Doong is one of the world's largest caves, with enormous chambers that can comfortably fit a 747 airplane or an entire New York City block full of 40-story buildings.
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